Luke 15:11-32
Never had the old man made such a journey.
His robes enfolded him like driving wind.
No one remembered the old man running. Even fire
had never moved him. His estates were the light
of the town. Yet, there he was, running to a dark
figure huddling the road. Love was flood-water
carrying him forward. Some tried to dike the water;
nothing could hold him. Love loosed a wind
of words: "My son is coming home." Dark
grief behind, the father ran, arms open as a light.
He had to lift the boy before his son's fire
of sorrow burned the father's sandals. Journey?
The old man could remember no other journey
but this homecoming: he held his son in the fire
of his arms, remembering his birth: water
and fire. Servants ran along thrusting at the wind
of excitement: what shall we do? what torchlight
prepare? "Bathe away the pig-pen-slopping-dark
that cloaks my son. Prepare a banquet. Jewel the dark
with fires. My son was dead. My son is afire
with life. The land is fruitful. Joy is its water.
Where is my eldest son? The end of the journey
is ours. My son, do you grieve? turn from the light
to say you are unrewarded? Son, is the wind
from the south closer to you than me? is the wind
of your doubt stronger than my love for you? Water
your hardness, my son. Be a brother to the dark
of your brother's sorrow. Be a season of light
to his coming home. You will make many a journey
through cities, up mountains, over abysses of fire,
but for tonight and tomorrow, my eldest, fire
your heart, strike at its stone. Let it journey
toward dawning, be a thrust at the dark
your brother will never forget. Find a woman of water
and fire, seed her with sons for my name and wind-
supple daughters for bearing daughters and sons of light.
I am a father of journeys. I remind you the dark
can be conquered by love-blasting fire. I made air and wind
a compassionate homeland. Be at home in the light."
Eichner, Maura. "The Father" Upholding Mystery: An Anthology of Contemporary Christian Poetry. New York: Oxford University Press, 1997. 222-223.
Sunday, April 15, 2012
Saturday, April 14, 2012
sabbaths: 1985 I - wendell berry
Not again in this flesh will I see
the old trees stand here as they did,
weighty creatures made of light, delight
of their making straight in them and well,
whatever blight our blindness was or made,
however thought or act might fail.
The burden of absence grows, and I pay
daily the grief I owe to love
for women or men, days and trees
I will not know again. Pray
for the world's light thus borne away.
Pray for the little songs that wake and move.
For comfort as these lights depart,
recall again the angels of the thicket,
columbine aerial in the whelming tangle,
song drifting down, light rain, day
returning in song, the lordly Art
piercing out its humble way.
Though blindness may yet detonate in light,
ruining all, after all the years, great right
subsumed finally in paltry wrong,
what do we know? Still
the Presence that we come into with song
is here, shaping the seasons of His wild will.
Berry, Wendell. "Sabbaths: 1985 I" Upholding Mystery: An Anthology of Contemporary Christian Poetry. New York: Oxford University Press, 1997. 134-135.
the old trees stand here as they did,
weighty creatures made of light, delight
of their making straight in them and well,
whatever blight our blindness was or made,
however thought or act might fail.
The burden of absence grows, and I pay
daily the grief I owe to love
for women or men, days and trees
I will not know again. Pray
for the world's light thus borne away.
Pray for the little songs that wake and move.
For comfort as these lights depart,
recall again the angels of the thicket,
columbine aerial in the whelming tangle,
song drifting down, light rain, day
returning in song, the lordly Art
piercing out its humble way.
Though blindness may yet detonate in light,
ruining all, after all the years, great right
subsumed finally in paltry wrong,
what do we know? Still
the Presence that we come into with song
is here, shaping the seasons of His wild will.
Berry, Wendell. "Sabbaths: 1985 I" Upholding Mystery: An Anthology of Contemporary Christian Poetry. New York: Oxford University Press, 1997. 134-135.
Friday, April 13, 2012
the liar's psalm: repentance - andrew hudgins
I repent the actual. It has never got me anywhere.
It is nothing against principalities, against powers.
My father will die and I will carry on. I dread his death
more than mine because it will come sooner - knowledge I repent. In lies
he will outlive the liar. And that's me. The lie itself
will carry on, is itself a child, a separate life, a blow
against the gods of objects. Who are not happy with me
or with their densities. They are not worth their flawed kingdoms,
And neither do I love them. They are dangerous. They are too
stupid to be insignificant, too proud of their ability
to blister my hands and make them raw. I repent letting them,
and I repent logic, which has no god: it will do
anything, it will go anywhere. Tell it your destination
and it will take you there. A taxi. This is the nature
of evidence: how could you prove the meat you ate last night
wasn't horse meat, goat flesh,
or something I had, the night before, sliced from my thighs?
Or that it was meat at all? Or that you ate? There is no
bottom to what we will believe, and no top.
So I have made this vow.
Never again will I insult you with the actual, something
that has no birthday, while lies are born
six times a second and each with a festival. They are the gifts
we give ourselves, like morphine, a change of clothes, a piece
of apple pie, a black chrysanthemum, a job - I could go on.
I am ashamed when I remember whom I have attacked
with actuality. My mother with her stinginess. My wife
with her black and purple dress - you should have seen it! -
and her infidelities. My friend who steals ashtrays. My brother's
avoirdupois. I repent that blade and I repent
my skill with it. When blessed with falsehoods, I will tell them.
When told a lie, I will believe it. I will not doubt
a word you say. Forgive me now my finger in the wound, and knuckle deep.
Hudgins, Andrew. "The Liar's Psalm: Repentance" Upholding Mystery: An Anthology of Contemporary Christian Poetry. New York: Oxford University Press, 1997. 166-167.
It is nothing against principalities, against powers.
My father will die and I will carry on. I dread his death
more than mine because it will come sooner - knowledge I repent. In lies
he will outlive the liar. And that's me. The lie itself
will carry on, is itself a child, a separate life, a blow
against the gods of objects. Who are not happy with me
or with their densities. They are not worth their flawed kingdoms,
And neither do I love them. They are dangerous. They are too
stupid to be insignificant, too proud of their ability
to blister my hands and make them raw. I repent letting them,
and I repent logic, which has no god: it will do
anything, it will go anywhere. Tell it your destination
and it will take you there. A taxi. This is the nature
of evidence: how could you prove the meat you ate last night
wasn't horse meat, goat flesh,
or something I had, the night before, sliced from my thighs?
Or that it was meat at all? Or that you ate? There is no
bottom to what we will believe, and no top.
So I have made this vow.
Never again will I insult you with the actual, something
that has no birthday, while lies are born
six times a second and each with a festival. They are the gifts
we give ourselves, like morphine, a change of clothes, a piece
of apple pie, a black chrysanthemum, a job - I could go on.
I am ashamed when I remember whom I have attacked
with actuality. My mother with her stinginess. My wife
with her black and purple dress - you should have seen it! -
and her infidelities. My friend who steals ashtrays. My brother's
avoirdupois. I repent that blade and I repent
my skill with it. When blessed with falsehoods, I will tell them.
When told a lie, I will believe it. I will not doubt
a word you say. Forgive me now my finger in the wound, and knuckle deep.
Hudgins, Andrew. "The Liar's Psalm: Repentance" Upholding Mystery: An Anthology of Contemporary Christian Poetry. New York: Oxford University Press, 1997. 166-167.
Thursday, April 12, 2012
true love - kathleen norris
binds all wounds,
wounds all heels,
whatever. You can tell.
William Buckley,
Gore Vidal, Sampson
and Delilah, Paul
and the Corinthians.
You can tell.
It makes us fight
and bleed, takes us to the heights,
the deeps, where we don't
want to go. Adam and Eve. Noah
and Mrs., David,
Bathsheba, Ruth,
Naomi. You can tell.
The way light surges
out of nothing. TheMagdalene,
the gardener. God help us,
we are God's chosen now.
Norris, Kathleen. "True Love" Upholding the Mystery: An Anthology of Contemporary Christian Poetry. New York: Oxford University Press, 1997. 223-224.
wounds all heels,
whatever. You can tell.
William Buckley,
Gore Vidal, Sampson
and Delilah, Paul
and the Corinthians.
You can tell.
It makes us fight
and bleed, takes us to the heights,
the deeps, where we don't
want to go. Adam and Eve. Noah
and Mrs., David,
Bathsheba, Ruth,
Naomi. You can tell.
The way light surges
out of nothing. TheMagdalene,
the gardener. God help us,
we are God's chosen now.
Norris, Kathleen. "True Love" Upholding the Mystery: An Anthology of Contemporary Christian Poetry. New York: Oxford University Press, 1997. 223-224.
Wednesday, April 11, 2012
a third possibility - wendell berry
I fired the brush pile by the creek
and leaping gargoyles of flame
fled over it, fed on it, roaring,
and made one flame that stood
tall in its own wind, snapping off
points of itself that raved and vanished.
The creek kept coming down, filling
above the rocks, folding
over them, its blank face dividing
in gargles and going on, mum
under the ice, for the day was cold,
the wind stinging as the flame stung.
Unable to live either life, I stood
between the two, and liked them both.
Berry, Wendell. "A Third Possibility" Upholding Mystery: An Anthology of Contemporary Christian Poetry. New York: Oxford University Press, 1997. 198.
and leaping gargoyles of flame
fled over it, fed on it, roaring,
and made one flame that stood
tall in its own wind, snapping off
points of itself that raved and vanished.
The creek kept coming down, filling
above the rocks, folding
over them, its blank face dividing
in gargles and going on, mum
under the ice, for the day was cold,
the wind stinging as the flame stung.
Unable to live either life, I stood
between the two, and liked them both.
Berry, Wendell. "A Third Possibility" Upholding Mystery: An Anthology of Contemporary Christian Poetry. New York: Oxford University Press, 1997. 198.
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