that love is dependent on memory,
that life is eternal and therefore criminal,
that thought is an invisible veil that covers our eyes,
that death is only another animal,
that beauty is formed by desperation,
that sex is solely a human problem,
that pets are wild in heaven,
that sounds and smells escape us,
that there are bones in the earth without any marker,
that language refers to too many things,
that music hints at what we heard before we sang,
that the circle is loaded,
that nothing we know by forgetting is sacred,
that humor charges the smallest things,
that the gods are animals without their masks,
that stones tell secrets to the wildest creatures,
that nature is an idea and not a place,
that our bodies have diminished in size and strength,
that our faces are terrible,
that our eyes are double when gazed upon,
that snakes do talk, as well as asses,
that we compose our only audience,
that we are geniuses when we wish to kill,
that we are naked despite our clothes,
that our minds are bodies in another world.
de Niord, Chard. "What the Animnals Teach Us" The Pushcart Book of Poetry. Murray, Joan, ed. New York: Pushcart Press, 2006. 464-5.
Thursday, April 4, 2013
Wednesday, April 3, 2013
meeting point - louis macneice
Time was away and somewhere else,
There were two glasses and two chairs
And two people with the one pulse
(Somebody stopped the moving stairs):
Time was away and somewhere else.
And they were neither up nor down;
The stream's music did not stop
Flowing through heather, limpid brown,
Although they sat in a coffee shop
And they were neither up nor down.
The bell was silent in the air
Holding its inverted poise --
Between a clang and clang a flower,
A brazen calyx of no noise:
The bell was silent in the air.
The camels crossed the miles of sand
That stretched around the cups and plates;
The desert was their own, they planned
To portion out the stars and dates:
The camels crossed the miles of sand.
Time was away and somewhere else.
The waiter did not come, the clock
Forgot them and the radio waltz
Came out like water from a rock:
Time was away and somewhere else
Her fingers flicked away the ash
That bloomed again in tropic trees:
Not caring if the markets crash
When they had forests such as these,
Her fingers flicked away the ash.
God or whatever means the Good
Be praised that time can stop like this,
That what the heart has understood
Can verify in the body's peace
God or whatever means the Good.
MacNeice, Louis. "Meeting Point" Scanning the Century: The Penguin Book of the Twentieth Century in Poetry. Peter Forbes, Ed. London: Penguin Books, 1999. 290-1.
There were two glasses and two chairs
And two people with the one pulse
(Somebody stopped the moving stairs):
Time was away and somewhere else.
And they were neither up nor down;
The stream's music did not stop
Flowing through heather, limpid brown,
Although they sat in a coffee shop
And they were neither up nor down.
The bell was silent in the air
Holding its inverted poise --
Between a clang and clang a flower,
A brazen calyx of no noise:
The bell was silent in the air.
The camels crossed the miles of sand
That stretched around the cups and plates;
The desert was their own, they planned
To portion out the stars and dates:
The camels crossed the miles of sand.
Time was away and somewhere else.
The waiter did not come, the clock
Forgot them and the radio waltz
Came out like water from a rock:
Time was away and somewhere else
Her fingers flicked away the ash
That bloomed again in tropic trees:
Not caring if the markets crash
When they had forests such as these,
Her fingers flicked away the ash.
God or whatever means the Good
Be praised that time can stop like this,
That what the heart has understood
Can verify in the body's peace
God or whatever means the Good.
MacNeice, Louis. "Meeting Point" Scanning the Century: The Penguin Book of the Twentieth Century in Poetry. Peter Forbes, Ed. London: Penguin Books, 1999. 290-1.
Tuesday, April 2, 2013
we go forward - anne compton
We go forward by grace days. A phalanx of survivors.
On either side, the Inscrutable lays a hand on some friend.
Wrestles him to the ground, stops her dead. This is not an elegy.
Though we sign the air with ceremony, hands and heart in slow motion,
our feet don't stop: we're already crossing the border into tomorrow.
More of everything is what we want. We're greedy. Glad to be left
standing. When we glance behind in grief, we're afoot in a changed world
and isn't it every day? Altered, larger somehow, and we're allowed.
That's what's amazing. And what's on our minds every morning?
Prevent us, O Lord, not from sin -- we stir the dust of it with every footfall --
but from nonchalance: a look unanswered, a kiss unrequited. Someone else
in our arms. And though words can't compass this tender of days,
let the one word be yes even if every step away concurs, Be it so.
Consider the foot, beloved, the hold it has on here.
Compton, Anne. "We Go Forward" Modern Canadian Poets. Jones, Evan and Todd Swift, eds. Manchester: Carcanet Press Limited, 2010. 152-3.
On either side, the Inscrutable lays a hand on some friend.
Wrestles him to the ground, stops her dead. This is not an elegy.
Though we sign the air with ceremony, hands and heart in slow motion,
our feet don't stop: we're already crossing the border into tomorrow.
More of everything is what we want. We're greedy. Glad to be left
standing. When we glance behind in grief, we're afoot in a changed world
and isn't it every day? Altered, larger somehow, and we're allowed.
That's what's amazing. And what's on our minds every morning?
Prevent us, O Lord, not from sin -- we stir the dust of it with every footfall --
but from nonchalance: a look unanswered, a kiss unrequited. Someone else
in our arms. And though words can't compass this tender of days,
let the one word be yes even if every step away concurs, Be it so.
Consider the foot, beloved, the hold it has on here.
Compton, Anne. "We Go Forward" Modern Canadian Poets. Jones, Evan and Todd Swift, eds. Manchester: Carcanet Press Limited, 2010. 152-3.
Monday, April 1, 2013
mystery of the verb - anne hebert
In a quiet country we received the passion of the world, naked sword laid on our two hands
Our heart had never known the light when that first was confided to us, and its glimmer deepened the shadow of our features
It was before all weakness, charity was alone
Preceding fear and shame.
It invented the universe in primal justice and we shared this vocation in the great vitality of our love.
Light and death within us received right of asylum, looked at each other with blind eyes, touched each other with careful hands.
Arrows of odour reached us, uniting us to the earth like wounds at a wedding marked by its excesses
O seasons, rivers, alders and ferns, leaves, flowers, wet wood, blue grasses, all our riches bleed their fragrance, animal musk beside us
Colours and sounds visited us in numbers and by small stunning groups, while the dream doubled our spell as the storm hems in the blue of an innocent eye
Joy set to crying out, a new mother smelling of game-birds among the reeds. Spring delivered was so fair that it took our hearts with one hand
The three strokes of the world's creation sounded in our ears and grew like the beating of our blood
In a single dizziness the instant was. Its flash passed over our face and we received a mission of fire and burning.
Silence, nothing moves or speaks, the world is founded, and lifts our hearts, seizes the world in a single stormy gesture, has us clinging to its dawn like the skin to fruit
All the quick earth, the forest on our right, the deep city to our left, right in the world's centre, we advance to the world's tip
Foreheads with curls where silence turns to stale musky shocks of hair, every grimace, aged faces, children's cheeks, loves, wrinkles, joys, mournings, creatures, creatures, tongues of fire at the earth's solstice
O my darkest brothers, all feasts engraved in secret; human breasts, musician gourds where captive voices rage
Let him who has received the function of the world take you in charge like an extra, shadowed heart, too full of shadows, never relent until the dead and living are justified in one single song among the dawns and grasses
Hebert, Anne. "Mystery of the Verb" Modern Canadian Poets. Jones, Evan and Todd Swift, eds. Manchester: Carcanet Press Limited, 2010. 58-9.
Our heart had never known the light when that first was confided to us, and its glimmer deepened the shadow of our features
It was before all weakness, charity was alone
Preceding fear and shame.
It invented the universe in primal justice and we shared this vocation in the great vitality of our love.
Light and death within us received right of asylum, looked at each other with blind eyes, touched each other with careful hands.
Arrows of odour reached us, uniting us to the earth like wounds at a wedding marked by its excesses
O seasons, rivers, alders and ferns, leaves, flowers, wet wood, blue grasses, all our riches bleed their fragrance, animal musk beside us
Colours and sounds visited us in numbers and by small stunning groups, while the dream doubled our spell as the storm hems in the blue of an innocent eye
Joy set to crying out, a new mother smelling of game-birds among the reeds. Spring delivered was so fair that it took our hearts with one hand
The three strokes of the world's creation sounded in our ears and grew like the beating of our blood
In a single dizziness the instant was. Its flash passed over our face and we received a mission of fire and burning.
Silence, nothing moves or speaks, the world is founded, and lifts our hearts, seizes the world in a single stormy gesture, has us clinging to its dawn like the skin to fruit
All the quick earth, the forest on our right, the deep city to our left, right in the world's centre, we advance to the world's tip
Foreheads with curls where silence turns to stale musky shocks of hair, every grimace, aged faces, children's cheeks, loves, wrinkles, joys, mournings, creatures, creatures, tongues of fire at the earth's solstice
O my darkest brothers, all feasts engraved in secret; human breasts, musician gourds where captive voices rage
Let him who has received the function of the world take you in charge like an extra, shadowed heart, too full of shadows, never relent until the dead and living are justified in one single song among the dawns and grasses
Hebert, Anne. "Mystery of the Verb" Modern Canadian Poets. Jones, Evan and Todd Swift, eds. Manchester: Carcanet Press Limited, 2010. 58-9.
Wednesday, March 27, 2013
april is national poetry month!
as per the last few years, i will be posting a poem a day in honour of national poetry month (in both canada and the united states).
there's no theme this year, other than that i think these are each beautiful or moving.
feel free to make other suggestions or to share your responses/ reactions/ resonances.
there's no theme this year, other than that i think these are each beautiful or moving.
feel free to make other suggestions or to share your responses/ reactions/ resonances.
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